bitforms sf presents LaJuné McMillian and Marguerite Hemmings’ Antidote after the success of Embodied Metadata, McMillian’s first solo exhibition in the gallery’s New York space.
Antidote speaks to embodied metadata as anthropology, parsing this term as a technology that is inherited from past generations and activated as a world-building tool. The work considers the emancipative capacities of movement, and how the healing of bodies and lands can be enacted inside of virtual reality technologies.
Antidote, co-authored by McMillian and choreographer and educator Marguerite Hemmings, speaks to embodied metadata as an anthropology, contextualizing it as a technology that is both inherited from past generations and activated as a world building tool. Antidote considers the liberatory capacities of movement, and how the healing of our bodies, lands, and movements can be enacted inside of virtual technologies. Framing Antidote is a virtual land acknowledgment authored by Hemmings, McMillian, creative technologist Salome Asega, and Afro-Indigenous activist Amber Starks (Melanin Mvskoke). Together, they address the colonial contexts that frame human relationships to both land and cyberspace.