siebren_versteeg
Siebren Versteeg

Siebren Versteeg is known for his painting and video works created through digital processes. His multivalent practice responds to the technology of our time and the way we consume and deploy those technologies.

Heralded by Vulture as “chaotic but illuminating”, the magazine declared Versteeg the idol of “every Harry Potter-loving/Hackers-watching/anti-capitalist computer geek” (Rachel Wolff). Versteeg’s work often relies on ready-made, online data sources for part of its media, with websites like Google, Flickr, and Wikipedia frequently collaborating with Versteeg’s code. Throughout his career, Versteeg has playfully interacted with constructed identities and painterly abstraction through the use of code. Versteeg prefers to code in Lingo. Versteeg is known to re-articulate familiar presentation formats and information systems popularized online, “ultimately jamming their promise of stability and ubiquity” (James Yood, Artforum). Drawing attention to the variety of opinions, sources, conversations, and enterprises that contribute to the internet’s sprawling information landscape, Versteeg’s work often intervenes between mass media and its end consumer.

Siebren Versteeg holds an MFA from The University of Illinois at Chicago (2004) and a BFA from the School of the Art Institute of Chicago (1996).

Exhibitions

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Encoded: Art With No Boundaries

December 4 – February 22, 2025

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August Kamp but you promised, 2022

DALL·E, Artificial Imagination

October 26 – December 29, 2022

San Francisco

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Siebren Versteeg, Love Live x Five, 2022

Siebren VersteegUp The Ghost

May 13 – June 11, 2022

New York City

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Siebren VersteegIn%20Memory

September 10 – September 30, 2020

New York City

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bitforms gallery LA

bitforms gallery LA

April 13 – May 12, 2019

Los Angeles

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Extract

Extract

April 13 – May 12, 2019

Los Angeles

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Siebren Versteeg, Reflection Eternal

Siebren VersteegReflection Eternal

April 20 – June 4, 2017

New York City

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Minnesota Street Project

Fifteen Year Anniversary Exhibition

November 5 – March 4, 2017

San Francisco

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Distrust That Particular Flavor

Distrust That Particular Flavor

December 14 – February 1, 2015

New York City

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Vanishing Point

Vanishing Point

May 30 – July 19, 2013

New York City

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News & Press

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December 22, 2023Outland

Siebren Versteeg in Outland: “The Best Digital Art of 2023”Siebren Versteeg’s For a Limited Time, released on Arsnl Art, incorporates the mechanics of blockchain editioning into the artwork itself—and the outputs are both aesthetically compelling and conceptually potent… – Sarah Zucker

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October 27, 2020bitforms gallery

Public_Public_Address: A Nationwide Virtual ProtestPublic_Public_Address is an ongoing, 24/7, national virtual protest in support of and in solidarity with Black Lives Matter. The ongoing protest stream features video submissions of both supporters who are unable to place themselves at physical risk and those who can protest in person.

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September 29, 2020CNN

“Public Public Address” featured on CNN: This website helps people with illnesses and disabilities participate in Black Lives Matter protestsHigh-profile killings of several Black people by police sparked nationwide protests this summer, with marchers demanding police reform and racial justice. Jason Lazarus, Siebren Versteeg and Stephanie Syjuco founded Public Public Address on September 1 to help people with illnesses and disabilities participate in these Black Lives Matter protests without putting their lives at risk.

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September 22, 2020Clot Magazine

‘Email Exhibit! Yours Sincerely, Siebren Versteeg and bitforms’ by Charlotte Kent for CLOTSiebren Versteeg’s In%20Memory is an email; a checklist of speculative objects, a series of links, and a PDF; together creating a daisy-chain as exhibition… bitforms’s webpage for the exhibit provides a space to leave your email address, after which you will receive the email that is the show. It is a charmingly irreverent approach to exhibition possibilities while also quite seriously invigorating our musings on how we might exhibit work digitally.

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September 9, 2001bitforms gallery

Siebren Versteeg, In%20Memory, now liveIn In%20Memory, playful references to painting, ready-mades, and installation inquire toward the experience of isolation within our technological present. In effort to participate yet emancipate from the expectation of an artist to create “things,” In%20Memory advances viewing room culture with deep zoom technology while challenging visitors to engage in a meaningful temporal experience. The exhibition is accompanied by an essay by Katie Geha.